| 봐봐 |
Here, look |
| 이거 다 오늘 아침에 들인건데 시들해보이잖아 |
These all came this morning They look withered now |
| 근데 이거 상한게 아니고 잠깐 힘들어서 그래 |
But they haven’t wilted yet They’re just tired |
|
들이다 (in 들인건데, the previous line) is the trade term for "to bring in
[stock/goods]," used by shopkeepers generally, not just florists. 시들하다
(temporarily looking wilted/limp) and 상하다 (actually spoiled or damaged) are
worth telling apart – her whole point here is that the flowers only look
like the first, not the second, and can still be saved.
|
| 되게 멀리서 |
Because they have been going through a lot |
| 좁은데 엉켜서 |
traveling a long distance |
| 물도 못 먹고 |
in a cramped space |
| 여기까지 오느라 |
without having water |
| 너무 고생을 많이 해서 |
to get here |
|
As with similar chains in earlier episodes, the main clause ("they've been
through a lot") comes at the very end in Korean but gets front-loaded in the
English, so read the last five English cells as one continuous sentence
rather than row by row.
|
| 금방 달라져 |
They can be better soon |
| 어떻게해야 달라지냐면 |
What you need to do is |
|
-냐면 (short for -냐고 하면, "if you were to ask [the question]...") is a handy
way to set up your own answer to an implied question – here, anticipating
"how do you fix that?" before immediately answering it herself.
|
| 물을 줘 |
to give them water |
| 큰 통에 물을 가득 담고 흠뻑 담궈 |
Fill a big bucket with water and soak them in water |
|
흠뻑 is an adverb for being thoroughly soaked/drenched. 담궈 is a very common
misspelling of 담가 (from the standard verb 담그다, "to soak/submerge") –
you'll hear and see 담구다 constantly in casual speech and even in writing,
even though 담그다 is the "correct" dictionary form.
|
| 그리고 그 전엔 |
Before that, |
| 이렇게 지저분한 이파리부터 다 떼어내야 돼 |
you need to get rid of these dirty leaves first |
| 왜냐면, 이걸 그대로 물에 담구면 |
Because if you soak them with the dirty leaves together |
| 금방 썩거든 |
They will soon start rotting |
| 여기 이파리부터 엄청 빠르게 |
very quickly from these leaves |
| 그리고 가시도 |
and thorns too |
| 가시를 제거 할 땐 특히 조심을 해야되는데 |
When you remove thorns, you need to take extra care |
| 그냥 막 뽑았다간 줄기에 상처가 나 |
If you do it carelessly, their stems can be damaged |
|
-았/었다간 (short for -았/었다가는) is a warning construction: "if you go and
do X (carelessly), then [bad thing happens]." Here 막 means "carelessly/
recklessly" – a different job from the 막 you saw back in episode 5
(괜히 막 신경이 쓰이고), where it was just an intensifying filler rather than a
description of how an action is physically done.
|
| 그 조그만 상처 때문에 금방 축 늘어지는거야 |
The small damages can make plants wither |
| 아무리 예뻤어도 |
no matter how pretty they were |
| 아무리 화려했어도 |
no matter how splendid they were |
| 그러니까 아무리 번거로워도 신경을 써야 돼 |
So you need to be careful no matter how bothersome it may be |
|
아무리 ~아도/어도 ("no matter how...") gets repeated three times in a row here
(예뻤어도, 화려했어도, 번거로워도) – the same rhetorical trick as the
escalating -고 lists back in episodes 7 and 8, just built from a concessive
pattern instead of a plain list, piling up reasons you might be tempted to
skip this step before insisting you shouldn't.
|
| 뽑히는 자리도 아프지 않게 |
trying not to hurt them when you pick out the thorns |
| 대충 이런게 아침에 꽃을 들이면 |
Basically, these are what I do first in the morning |
| 내가 가장 먼저 하는 일이야 |
when I bring in flowers |
| 원래대로 살아가게 생기를 찾아주는 작업 |
helping them have vitality back so they can live on |
|
원래대로 combines 원래 ("originally") with -대로 ("according to/in the manner
of"), giving "back to the way they originally were." 생기 means "vitality" or
"liveliness" – a word you'll also see used for a lively facial expression
or a place that feels full of energy, not just plants.
|
| 내가 처음 꽃을 배울 때 선생님이 말씀해주셨어 |
My teacher said when I first learned about flowers |
| 꽃은 보기에만 예뻐선 안된다고 |
Flowers shouldn’t just look pretty |
| 꽃이 행복해야 꽃을 보는 사람도 행복한거라고 |
Flowers should be happy so that people seeing the flowers can be happy |
| 만약에 누군가가 나를 보면서 |
If someone can feel a little bit better |
| 조금이라도 기분이 좋아진다면 |
when seeing me |
| 아마 그건 그런 이유에서 일 거야 |
It must be because I feel happy |
| 라고 그녀는 말했다 |
said she |
|
라고 [누가] 말했다 ("[so-and-so] said, quote...") closes off everything she's
said since the start of this scene as one long direct quotation – a
literary quotation frame, similar to the 하면서 wrap-ups seen in episodes 6
and 9. It also sets up the payoff: her whole lesson about flowers needing to
be happy in order to make others happy turns out to be a metaphor for herself,
which is exactly the connection he draws in the next two lines.
|
| 그리고 나는 |
And I feel good |
| 그녀를 보면 기분이 좋아진다 |
when I see her |
| 하나 둘 셋 하면 포즈 다르게요 |
Take a different pause when I say one, two, three |
|
Unlike every other episode, this one has no closing "#hashtag" caption line
repeating the title – the emotional ending lands two lines earlier
(그녀를 보면 기분이 좋아진다), and what follows is an unrelated bit of candid
behind-the-scenes footage from a photo shoot (someone's hair getting singed),
tacked on before the 72초TV credit as a lighthearted coda. (Also, the English
"pause" here looks like a typo for "pose" – 포즈 is just the Korean
transliteration of the English word "pose.")
|
| 하나 둘 셋 |
One, two, three |
| 하나 둘 셋 |
One, two, three |
| 어 머리 탔어 |
Oh, my hair got burnt |
| 머리 탔어? |
Burnt? |
| 어 냄새나 |
Yeah, I can smell it |
| 72초TV |
72secTV |